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Der Begriff "Habitus", so er in der kunsthistorischen Forschungsliteratur gebraucht wird, scheint der Soziologie entliehen zu sein. Dabei ist wenig bekannt, dass Pierre Bourdieu seinen wesentlichen theoretischen Impuls einem Kunsthistoriker verdankte. So berief sich Bourdieu in seiner Verwendung des Habitus-Begriffs mehrfach auf Erwin Panofsky, der in den 1930er Jahren die kunsthistorischen Disziplinen der Ikonographie und Ikonologie zu einem einheitlichen, methodischen System ausgebaut hatte. Bourdieu zeigte, wie Panofsky ein Instrumentarium präziser interpretativer Schnitte und Stufen entwickelt hatte, die es ermöglichten, die semantische Vielschichtigkeit der Werke bildender Kunst freizulegen. Der Themenband versteht sich als ein erster Beitrag zu einer ,Wiederentdeckung' des für die Ikonologie im Besonderen wie für die Kunstgeschichte im Allgemeinen so zentralen Begriff "Habitus". Er widmet sich dabei vier großen Themenbereichen: I. Der Habitus des Körpers, II. Ordnung, Macht und Transgression, III. Habitus in Form und Stil und IV. Identität und Distinktion.

Aesthetics --- Social norms in art. --- Deviant behavior in art. --- Social aspects. --- Geschichte 375-1930. --- Geschichte 375-1930.

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Thirteen papers on different subjects, focussing on writings and inscriptions in medieval art, explore the faculty of writing to create and determine spaces and to generate the sacred by the display of holy scripture. The subjects range from book illumination over wall painting, mosaics, sculpture, and church interiors to inscriptions on portals and façades.

Art, Medieval. --- Architectural drawing, Medieval. --- Church architecture --- Architecture, Medieval --- Art, Medieval --- Inscriptions --- Sacred space --- Themes, motives. --- History --- Holy places --- Places, Sacred --- Sacred places --- Sacred sites --- Sacred spaces --- Sites, Sacred --- Space, Sacred --- Holy, The --- Religion and geography --- Epigraphs (Inscriptions) --- Epigraphy --- Inscription --- Paleography --- Epigraphists --- Middle Ages --- Ecclesiastical architecture --- Rood-lofts --- Christian art and symbolism --- Religious architecture --- Architecture, Gothic --- Church buildings --- Subjects --- Inschriften. --- Sakralität. --- Schrifträume. --- Topologien. --- inscriptions. --- sacredness. --- topologies. --- RELIGION / Christianity / History. --- Christian inscriptions

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From the perspective of early modernity, the presence of writing is linked to its visibility and legibility. This may be a questionable assumption, and it was especially problematic for writers in the premodern era, for whom concealment and veiling played such an important role. The aim of this book is to critically examine the category of the "restricted presence of writing," from an interdisciplinary and transcultural perspective.

Philology & Linguistics --- Languages & Literatures --- Writing --- History --- Chirography --- Handwriting --- Language and languages --- Ciphers --- Penmanship --- Invisibility. --- writing.

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Bode-Museum [Berlin]